Usually you best work is your latest work, don’t send old stuff.
Include the Bio/Resume, Statement, and other information on the CD also.
The CD should have a slip cover design. If you have the ability to burn the cover design onto the CD so much the better, but at least put in some form of cover within the CD sleeve. The cover should also include any contact information should it get separated from the rest of your package.
Now that you’ve got everything together for your package, lets pull in this wagon train into a circle and regroup for just one minute!
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How do you get a gallery or print publisher interested in your work without sending this complete package. You can fore go the cost by sending something that is quickly becoming an industry standard.
It’s the brochure!
This is a mini version of the art presentation package. This is usually what is sent first! So, lets discuss the brochure a bit!
All the work you’ve completed thus far will help you in creating your brochure lickity split. The brochure is a full color page on a good quality paper or card stock. The back of the page can be full color or just black and white.
The front will show 1 to 4 images of your best, very best, best of the best work! And some contact information.
The back will have a very short bio and statement about your work.
It can also be a bi-fold or tri-fold version on 5”x 7” or 6” x 9” paper, but the best in my view is the full 8.5” x 10.5” that can really show off your work when the director pulls the sheet from the envelope.
You will include a cover letter with the brochure when it is sent.
When the gallery or publisher likes your work, and asks for more information and images, you’ll have the full blown art presentation package ready with CD, etc., to be sent.
Below is an example of my older brochure.
The Cover Letter:It just isn’t a courtesy! It provides for the context of the why you have sent this package.
It needs to include the following.
An introduction paragraph, that says who you are, and the purpose, the why you have sent this letter.
"I am a painter and am writing to acquaint you with my work.."
A boasting paragraph, that pulls from your bio/resume a few highlights.
"Solo exhibitions in Blank City, Interesting Gallery, and my paintings have been included in exhibitions XYZ. In addition, my work is included in public and corporate collections, including 123 Corp, Richmond, VA, and etc., etc."
A very short artist statement, again, just an exert from your more lengthy one produced earlier.
A conclusion or closing paragraph,
"Enclosed is a brochure featuring examples of recent paintings, and if you have an interest in seeing more I can send additional examples and materials."
Or:
"Enclosed is a CD (or slide package) featuring recent paintings, and if you like what you see, and have an interest in more, I can send additional materials."
Also include: Reasons you are contacting a particular gallery, curator, or publisher. Examples could be:
"I have visited your gallery on a number of occasions and believe my work shares a commonality with the work of the artists featured."
"I have enjoyed viewing your publishing catalog at a local gallery for prints, and believe my work is in line with some of the art that is presently represented by your company."
Or if a gallery or dealer is the focus of your package, include the retail price range of your work. For example: "The retail price of my work is $500 for smaller works to $5000 for the larger pieces."
The reason for including this in an initial contact letter is to help the viewer understand your work is selling, and at what price ranges they can expect. If it's really in a lower range, don't include it.
A cover letter, well written, will really give you a good first impression. This is what is needed in putting that first step forward in any long term relationship, like gallery or print publication representation. A great cover letter and the mini-art presentation package (or brochure) is your start!
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