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Still life with pink rose and silver tea pot demonstration.

This is a real long demonstration, a still life with pink rose and silver tea pot in oils on canvas. I'm going to try to answer several questions that I get within emails from folks, so get that cup of joe and sit back for a few.

There are over 20 photos of this work, and I'll have to break it up into 2 pages. So, here we go....

Our first photo:

still life with pink rose, umber under layer

At this stage, I've completed the imprimatura, which was very light, and the 1st and 2nd umber underlayer. The ink lines are still quite visiable with umber coming right up to the lines, and in some cases covering them.


still life with tea pot, umber under layer

This next photo shows the dead layer coming along nicely.


still life with tea pot, umber under layer

Here you can see on the silver tea pot, a little of the umber showing through. The reflections within the base of the tea cup and leaf are done. Silver and chrome are not difficult as long as you remember a few things. Highly reflective surfaces have very sharp reflections. You don't have to duplicate all of them, just enough to make it convincing. The darkened area actually had me standing in the reflection, but the rest was mostly dark, so, since I would be a distraction to the rose, I painted myself out!



still life with tea pot, umber under layer

A close up of the detail that is included at this stage. As this is a major component (the leaf) of the composition, I take my time to get it right at this point!


still life with tea cup, gray layer

At this stage, I've laid in the major gray masses as the details are very fine at this point, and I only want to capture the modeling, shadows, half shadows of the porcelain cup and saucer.


still life with tea cup, dead layer

I've allowed the underlying drawing to show through quite a bit on the cup as the color layers will completed the finer details of the intricate designs on its sides.


still life with tea rose, color layer

In this photo above, I've laid in a color mass as a reflection of firelight on the cloth. I've also laid in darker masses and lighter masses of color on the linen to accentuate the folds.


still life with tea rose, color layer

Using the dry blending brush, I have feathered the edges out on these color masses, and then softly blended further with the mop brush so that the fireplace reflection is barely visible.


still life with pink rose, still life painting

More color added to the linen folds in the front.


still life with pink rose, still life painting

And further blending with the dry blend brush, and mop brush to soften the entire passage.

To continue with this still life with pink rose demo, click on the link below to get to the final color layers and some nice closeups of the pink rose.

Click here to go to page 2 of this demo

Click here to back to the top of this Still Life with pink rose demonstration.

www.dickblick.com





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