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leftimage-3col for easy-oil-painting-techniques.org
 

Using another artist's quote as part of my art statement example.

by Delmus
(Somewhere near the Blue Ridge Mountains)

Have you ever had the opportunity to view a 16th -17th Century Flemish Masterpiece? The technique most employed was developed, refined and passed down from Master to Apprentice through the atelier schools of the period. These works, have to this date, passed the test of time like none other. Many artists did not use these techniques in the later 19th and 20th centuries. Therefore their works are already beginning to lose their original colors, tones and becoming gray. The older 16th and 17th century paintings, despite their age, are appearing in better condition in regards to colors, surface of the ground (prime) layer, and varnish. The Flemish Master technique is based on a seven layer method and it is the adherence to this optical mixture which has kept these paintings appearing fresh and alive. Every layer is responsible for special color, tone and has its own unique purpose. Beginning (lean) layers of umber and monotone grays, then (fatter) color layers added over the previous layers, the time honored fat over lean is established. This method prevents cracking of the paint in later years when temperature and humidity changes effect the still drying paints (yes, it takes years for the oils to fully dry). I believe it is the artists responsibility to the patron to use a technique that will preserve the product for many, many years. This is why I use the Flemish seven layer technique in oils.
I also believe the artist has a responsibility to God and society. In the words of this country's greatest sculptor, Frederick Hart,

"...art has a moral responsibility, that it must pursue something higher than itself. Art must be a part of life. It must exist in the domain of the common man. It must be an enriching, ennobling and vital partner in the public pursuit of civilization. It should be a majestic presence in everyday life just as it was in the past."

In some contemporary art, the artist has to explain why the purple square represents a lemon. As each person is instilled with a natural sense of beauty, I believe the artist should not have to explain his work, but rather the art should speak for itself. In the classical art world, not only does the lemon look like a lemon, but the techniques used to create the lemon will enable it to be enjoyed for generations to come.


Note: this was done about 8 years ago when I did landscape's and still life. My work has since moved to more florals, and less landscape work. I offer it here to give you a few more ideas!

I also would not include the statement about the purple lemon. It really doesn't add to the message, but rather detracts.

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